The Zhuangzi is a deliciously protean text: it is concerned not only with personal realization, but also (albeit incidentally) with social and political order. In many ways the Zhuangzi established a unique literary and philosophical genre of its own, and while clearly the work of many hands, it is one of the finest pieces ofliterature in the classical Chinese corpus. It employs every trope and literary device available to set off rhetorically charged flashes of insight into the most unrestrained way to live one's life, free from oppressive, conventional judgments and values. The essays presented here constitute an attempt by a distinguished community of international scholars to provide a variety of exegeses of one of the Zhuangzi's most frequently rehearsed anecdotes, often referred to as "the Happy Fish debate." The editors have brought together essays from the broadest possible compass of scholarship, offering interpretations that range from formal logic to alternative epistemologies to transcendental mysticism. Many were commissioned by the editors and appear for the first time. Some of them have been available in other languages-Chinese, Japanese, German, Spanish-and were translated especially for this anthology. And several older essays were chosen for the quality and variety of their arguments, formulated over years of engagement by their authors. All, however, demonstrate that the Zhuangzi as a text and as a philosophy is never one thing; indeed, it has always been and continues to be, many different things to many different people.

Joseph Grange's beautifully written book provides a unique synthesis of two major figures of world philosophy, John Dewey and Confucius, and points the way to a global philosophy based on American and Confucian values. Grange concentrates on the major themes of experience, felt intelligence, and culture to make the connections between these two giants of Western and Eastern thought. He explains why the Chinese called Dewey "A Second Confucius," and deepens our understanding of Confucius's concepts of the way (dao) of human excellence (ren). The important dimensions of American and Chinese cultural philosophy are welded into an argument that calls for the liberation of what is finest in both traditions. The work gives a new appreciation of fundamental issues facing Chinese and American relations and brings the opportunities and dangers of globalization into focus.

Sun Bins' Art of Warfare is an essential text of Chinese military philosophy and of strategy in general. This book, lost for over two thousand years and rediscovered only in 1972, has not yet reached the prominence of Sunzi's (Sun-tzu) The Art of Warfare, which is the best-known military treatise in the world. Sun Bin's work is an indispensable companion to the work of Sunzi, who is believed to be his ancestor, but deserves to be better known in its own right, both philosophically and historically. Here, noted sinologists D.C. Lau and Roger T. Ames offer an admirably lucid translation, and provide an introduction examining the life, times, and original philosophical contributions of Sun Bin. Sun Bin, advisor to King Wei of the state of Qi, worked and wrote during the mid-fourth century B.C.E. during China's Warring States period. It was a time of unprecedented violence; without a central national authority, nation-states fought fiercely amongst one another. New technologies made fighting more deadly, so that between the mid-fourth and mid-third centuries B.C.E, the number of battlefield casualties increased tenfold. Sun Bin's work is the key to understanding the physical and intellectual revolution that made such "progress" in the efficiency of warfare possible.

The ""Zhongyong"" - translated here as ""Focusing the Familiar"" has been regarded as a document of enormous wisdom for more than two millennia and is one of Confucianism's most sacred and seminal texts. It achieved truly canonical preeminence when it became one of the Four Books compiled and annotated by the Southern Song dynasty philosopher Zhu Xi (1130-1200). Within the compass of world literature, the influence of these books (Analects of Confucius, Great Learning, Zhongyong, and Mencius) on the Sinitic world of East Asia has been no less than the Bible and the Qu'ran on Western civilization. With this translation David Hall and Roger Ames seek to provide a distinctly philosophical interpretation of the Zhongyong, remaining attentive to the semantic and conceptual nuances of the text to account for its central place within classical Chinese literature. They present the text in such a way as to provide Western philosophers and other intellectuals access to a set of interpretations and arguments that offer insights into issues and concerns common to both Chinese and Western thinkers.

The "Zhongyong" - translated here as "Focusing the Familiar" has been regarded as a document of enormous wisdom for more than two millennia and is one of Confucianism's most sacred and seminal texts. It achieved truly canonical preeminence when it became one of the Four Books compiled and annotated by the Southern Song dynasty philosopher Zhu Xi (1130-1200). Within the compass of world literature, the influence of these books (Analects of Confucius, Great Learning, Zhongyong, and Mencius) on the Sinitic world of East Asia has been no less than the Bible and the Qu'ran on Western civilization. With this translation David Hall and Roger Ames seek to provide a distinctly philosophical interpretation of the Zhongyong, remaining attentive to the semantic and conceptual nuances of the text to account for its central place within classical Chinese literature. They present the text in such a way as to provide Western philosophers and other intellectuals access to a set of interpretations and arguments that offer insights into issues and concerns common to both Chinese and Western thinkers.

This book continues a comparative project begun with the authors' Thinking Through Confucius and Anticipating China. It continues the comparative discussions by focusing upon three concepts -- self, truth, transcendence -- which best illuminate the distinctive characters of the two cultures. "Self" specifies the meaning of the human subject, "truth" considers that subject's manner of relating to the world of which it is a part, and "transcendence" raises the issue as to whether the self/world relationship is grounded in something other than the elements resourced immediately in self and world. Considered together, the discussions of these concepts advertise in a most dramatic fashion the intellectual barriers currently existing between Chinese and Western thinkers. More importantly, these discussions reformulate Chinese and Western vocabularies in a manner that will enhance the possibilities of intercultural communication.

In the light of Chinese prosody and various mutually illuminating major cases from the original English, Chinese, French, Japanese and German classical literary texts, the book explores the possibility of discovering "a road not taken" within the road well-trodden in literature. In an approach of "what Wittgenstein calls criss-crossing," this monographic study, the first ever of this nature, as Roger T. Ames points out in the Foreword, also emphasizes a pivotal "recognition that these Chinese values [revealed in the book] are immediately relevant to the Western narrative as well"; the book demonstrates, in other words, how such a "criss-crossing" approach would be unequivocally possible as long as our critical attention be adequately turned to or pivoted upon the "trivial" matters, a posteriori, in accordance with the live syntactic-prosodic context, such as pauses, stresses, phonemes, function words, or the at once text-enlivened and text-enlivening ambiguity of "parts of speech," which often vary or alter simultaneously according to and against any definitive definition or set category a priori. This issue pertains to any literary text across cultures because no literary text would ever be possible if it were not, for instance, literally enlivened by the otherwise overlooked "meaningless" function words or phonemes; the texts simultaneously also enliven these "meaningless" elements and often turn them surreptitiously into sometimes serendipitously meaningful and beautiful sea-change-effecting "les mots justes." Through the immeasurable and yet often imperceptible influences of these exactly "right words," our literary texts, such as a poem, could thus not simply "be" but subtly "mean" as if by mere means of its simple, rich, and naturally worded being, truly a special "word picture" of das Ding an sich. Describable metaphorically as "museum effect" and "symphonic tapestry," a special synaesthetic impact could also likely result from such les-mots-justes-facilitated subtle and yet phenomenal sea changes in the texts.

Tianxia—conventionally translated as "all-under-Heaven"—in everyday Chinese parlance simply means "the world." But tianxia is also a geopolitical term found in canonical writings that has a deeper historical and philosophical significance. Although there are many understandings of tianxia in this literature, interpretations within the Chinese process cosmology generally begin with an ecological understanding of intra-national relations that acknowledge the mutuality and interdependence of all economic and political activity. This volume contextualizes the tianxia vision of geopolitical order within a variety of strategies drawn from a broad spectrum of cultures and peoples: Buddhist, Islamic, Indian, African, Confucian, European. The conversation among the contributors is guided by several central questions: Is tianxia the only model of cosmopolitanism? Are there ideas and ideals comparable to tianxia that exist in other cultures? What alternative perspectives of global justice have inspired Western, Indian, Islamic, Buddhist, and African cultural traditions? The fundamental premise here is that in order for a planetary tianxia system to be relevant and significant for the present time and for our vision of the future, it must acknowledge the plurality of moral ideals defining the world’s cultures while at the same time seek practical ways to formulate a minimalist morality that can provide the solidarity needed to bring the world’s people together.

In this book philosophers, scholars of religion, and activists address the theme of responsibility. Barbara Darling-Smith brings together an enlightening collection of essays that analyze the ethics of responsibility, its relational nature, and its global struggle. With references to Homer's the Iliad and Buddhist teachings, these essays demonstrate that while selfhood is an illusion, there is still a conventional self that must be held responsible. This book finds the underlying distinctions between ultimate and conventional understandings of selfhood, which lead to variations on the role of responsibility in the community and government. With essays from CEOs to historical theologians, Responsibility offers a variety of perspectives that will captivate the interest of philosophers and scholars of ethnics and religion.

In this book philosophers, scholars of religion, and activists address the theme of responsibility. Barbara Darling-Smith brings together an enlightening collection of essays that analyze the ethics of responsibility, its relational nature, and its global struggle. With references to Homer's the Iliad and Buddhist teachings, these essays demonstrate that while selfhood is an illusion, there is still a conventional self that must be held responsible. This book finds the underlying distinctions between ultimate and conventional understandings of selfhood, which lead to variations on the role of responsibility in the community and government. With essays from CEOs to historical theologians, Responsibility offers a variety of perspectives that will captivate the interest of philosophers and scholars of ethnics and religion.